![]() ![]() ![]() In 2016 director Nicole Miyahara produced The Making of a King, a documentary film chronicling the lives of contemporary drag kings in Los Angeles. ![]() The British drag king collective 'Pecs', a troupe made up entirely of women and non-binary people, was founded in 2013 and went on to perform at Soho Theatre and The Glory. Sleek Magazine described this renaissance of drag king culture in a 2019 article titled "What's behind the drag king revolution?" Recently, drag kings have started to play a slightly more visible role in the LGBT community. Drag kings have also historically been marginalised in academic LGBT studies. ĭrag kings have historically been more marginalised by pop culture than drag queens, who began playing a larger role in mainstream pop culture from the late 20th Century onwards. Torr was featured in the 2002 film on drag kings Venus Boyz. Diane Torr began leading Drag King Workshops in 1989 that offer women a lesson in passing as men. This usage includes women temporarily attempting to pass as men and women who wish to present themselves in a masculine gender role without identifying as a man. The term drag king is sometimes used in a broader sense, to include female-bodied people who dress in traditionally masculine clothing for other reasons. ĭrag king culture in Australia flourished in lesbian bars from the 1990s and 2000s, but began to fade in the 2010s. While the Stonewall riots of June, 1969, were a series of spontaneous uprisings by many people, DeLarverie-who was the first to fight back against the police brutality-is believed to have provided the spark that ignited the riot. She is featured in the documentary Storme: The Lady of the Jewel Box. Stormé DeLarverie performed in male drag as the MC, and sole female performer, of the drag troupe the Jewel Box Revue in the 1950s and 1960s. Blues singer Gladys Bentley performed in male attire in New York, Los Angeles and San Francisco from the 1920s through 1940s. Other male impersonators on the British stage were Ella Shields and Hetty King. īritish music hall performer Vesta Tilley was active in the late 19th and early 20th centuries as a male impersonator. ![]() In 1886 she married her dresser, Annie Ryan. theatre was Annie Hindle, who started performing in New York in 1867. The first popular male impersonator in U.S. Actress and playwright Susanna Centlivre appeared in breeches roles around 1700. In theatre and opera there was a tradition of breeches roles and en travesti. It was revived in the late 19th and 20th centuries as the ban on actresses was loosened. This continued through to the early Qing dynasty, when the Qianlong Emperor banned actresses from performing in 1722. In China, the practice of "female men " ( kunsheng see also sheng roles), where women portrayed men in stage performances, were first documented during the middle Tang dynasty (617–908 CE). While the term drag king was first cited in print in 1972, there is a longer history of female performers dressing in male attire. Drag king character Macho (far right) in the "America" number of Wild Side Story in Los Angeles in 1977. History and terminology A 1907 sheet music cover of "I'm Afraid to Come Home in the Dark" featuring singer and male impersonator Hetty King. Starting in the mid-1990s, drag kings started to gain some of the fame and attention that drag queens have known. In the late 1800s and early 1900s, several drag kings became British music hall stars and British pantomime has preserved the tradition of women performing in male roles. Drag kings often perform as exaggeratedly macho male characters, portray characters such as construction workers and rappers or they will impersonate male celebrities like Elvis Presley, Michael Jackson and Tim McGraw. A typical drag show may incorporate dancing, acting, stand-up comedy and singing, either live or lip-synching to pre-recorded tracks. Drag kings are mostly female performance artists who dress in masculine drag and personify male gender stereotypes as part of an individual or group routine. ![]()
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